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Jokoto Period (Ancient Times [<800]) |
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Koto Period (Old Times
[800-1596]) |
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Shinto Period (New Sword
[1596-1781]) |
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Shin-Shinto Period (New-New
Sword [1781-1876]) |
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Gendaito Period (Modern Sword
[1876-1945]) |
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Meiji Period [1876-1912] |
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Taisho Period [1912-1926] |
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Showa Period [1926-1945] |
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Shinsakuto (Newly Made Sword
[1953-present])
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The dates of the different sword periods may
vary
from one author to another,
from one reference to another.
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The Jokoto (or Chokuto) Period (Ancient Times) < 800
The Age of the Straight-bladed Sword
In Japan, the iron swords and swordsmanship are dated back to the Shindai, the
mythological age of the gods.
The Kojiki (Record of Ancient Matters) and the Nihon Shoki (History of Japan),
both the earliest surviving form of Japanese literature (8th
century A.D.), show some evidence that both the iron sword and swordsmanship played
a highly significant roles in the founding
of the Japanese nation.
The oldest Japanese swords found to date are at least from the second century B.C.
They are generally straight-bladed swords with both single and double cutting edges
and curved point sections. They range from two to four feet in
length and various shapes of hilts indicate the lack of a
Japanese standard sword. They are modest tools made for practical combative
uses.
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Two tachi of the Tumulus period (300-600)
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The Japanese refer to these ancient straight-bladed swords as tsurugi or as
ken. These early swords were apparently carried slung from the waist by cords or some
other materials.
The smiths who made swords in Japan during
the end of the sixth century included Chinese, Korean and native
Japanese
artisans. By the mid-seventh century many persons in a
wide range of social classes customarily wore swords and thus stimulated the production of
such weapons. Quality blades began to make their appearance at this time. The swords
imported from China were, at
the time, considered by the Japanese to be superior weapons. It is not until the time of
sword blades attributed to Amakuni
(~700) and bearing his signature that the reputation of
the Japanese sword began to outstrip that of China.
The Advent of the Curved Sword (The Tachi)
As early as the 8th century, the straight-bladed sword
began to change to one with
more curvature in a longer and a
stronger blade with a single cutting edge. The Kogarasu-maru (Little
Crow), a sword
attributed to the master Amakuni (702), is an example of the firsts curve
swords.
In its curved form, the sword is known to the Japanese as tachi.
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The Kogarasu-maru (Little-Crow) blade
by Amakuni.
(a two edge curved blade)
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Because many years of battlefield experience proved that the curved form of
sword was better suited to the needs of the Japanese fighting man, the tachi
(curved long sword) became the principal weapon of the bushi
(warrior). It was specially suited for the horse-mounted combat of the late
8th century.
The mounted and armored warrior was able to better cut, slashes and thrust against an armored
enemy. The curved blade was also
less susceptible to damage and break when used from a mounted position. The mounted warrior carried his
sword sheathed and slung from the waist with the cutting edge downward, this feature
facilitated the ground-to-sky draw that was so useful and necessary to the horse-mounted
warrior. Some tachi
blades measuring almost four feet in length.
Through
the great skill of Yasutsuna Saburo-dayu (749?-811), a swordsmith working
in Hoki Province, the tachi became the primary weapon of choice
during combat. The most famous of Yasutsuna's
blades, the
Doji-giri (Monster Cutter), was allegedly made for Sakanoue Tamuramaro (758-811), the
general who was dispatched by the imperial court to subdue the aboriginals of the northern border.
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The Doji-giri tachi by Yasutsuna.
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The Koto Period (Old Times) 800-1596
The majority of references date this period from 900 to 1596 which is the beginning of the
Keicho-reign era and about the time swords were confiscated from
farmers and commoners.
The Koto period led to the founding of the Gokaden, the "Five Traditions" of
japanese swordmaking, which are today identified as the basis of the geographical
areas in which they once operated (see map):
- Yamato (present Nara area)
- Yamashiro (modern Kyoto area)
- Bizen (present Okayama Prefecture)
- Soshu (Sagami) (Kamakura region)
- Mino (Seki) (modern Gifu Prefecture) |
The numerous smiths of these traditions produced about eighty percent
(80 %) of all swords of
that period. Each of the "Five Traditions" had its own pecularity, which resulted in special techniques
and refinements in the forging and tempering of blades.
The Japanese thereafter refered to their
swords with nationalistic pride in the expression Nihon-to (Japanese
sword), a term still
in use today.
The Sword at its Zenith of Excellence
It was during the Kamakura period (1185-1333) that the
japanese swordsmiths achieved
the highest level of technical excellence. Their outstanding expertise was made possible
by the ongoing war between two influential martial families of the time,
the Minamoto and the Taira.
This dramatic conflict and continued presence of the warriors on the battlefield made
it possible to test and evaluate swords under the severest conditions.
Gotoba, a cloistered emperor (1198-1221), was also an accomplished smith
who,
together with:
- Hisakuni of Yamashiro (1149-1216) - Awataguchi style
- Norimune of Bizen (1152-1214) - Ichimonji style
produced what are today considered to be the best examples of quality Japanese swords.
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Tachi by Norimune of Bizen.
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At Kamakura the Yamato, Yamashiro, and Bizen traditions tended to combine
into what is called today Soshu (Sagami) tradition of
swordmaking. The most
famous of Soshu Smiths was Goro Nyudo Masamune (fl. c. 1326). For many
Japanese,
Masamune's name is synonymous with the highest level of individual perfection in the
making of sword blades.
The Katana
In the next era, the Nambokucho (1336-1392), warriors fighting on foot
came to the conclusion that a lighter and shorter curved blade could be manipulated with
greater speed and, if propely used, was capable of almost the same lethal penetration as
that of the heavier swords.
This stimulated
a more systematic study of swordsmanship along lines of finesse in technique. By this
time, the long sword (tachi), which had been carried sheated and
slung, cutting edge downword, was superseded by a shorter weapon worn cutting edge
uppermost, thrust through
the sash. In its new form and wearing position the sword was called katana.
Three contemporary smiths (fl. c. 1390) were Morimitsu, Yasumitsu, and Moromitsu of the
Bizen tradition. They lived in the village of Osafune in Bizen Province and produces
excellent blades.
The Sword in the Age of the Warring Provinces.
It is not until the fifteenth century in the warring
provinces, that the bushi practiced
swordsmanship in a systematic manner with a code of ethics.
The various martial traditions (ryu) made their first appearance at this
time.
The kenjutsu dealt with the art of using an unsheated sword
while iai-jutsu
concerned the act of simultaneously
drawing and striking the enemy from a blade still inside its
scabbard.
During this period, numerous smiths forged as many blades as was possible in the shortest period of
time, for
business was plentiful. Their products were generally substandard in terms of
metallurgical skill, artistic design, and combative function. In general
they were known as kazu-uchi-mono (mass-produced things).
The best smiths of the time were:
- Yoshimitsu Toshiro (fl. c. 1264) - Yamashiro tradition
- Go Yoshihiro (1299-1325) of Etchu Province (Toyama
Prefecture) |
In 1600, one of the greatest blade-making
centres, Osafune, was destroyed in a flood.
The Shinto Period (New Sword) 1596-1781
The Shinto, or new sword, period brought with it a steady decline in the combative
effectiveness of blades. The swords of this period were deemed "new" at the time
of their making because forging techniques underwent radical changes.
Whereas Gokaden smiths used local ores processed by
themselves, in the Shinto
period most of them used metal obtained from a central source located in the
modern Shimane prefecture. Adoption of methods of european
technology also meant that swords could be
mass-produced. Many smiths forged blades of vastly inferior quality.
In the Shinto period, three smiths were granted authority to engrave a sixteen-petal
chrysanthemum on the tangs of blades they forged:
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- Tamba no Kami Yoshinichi (fl. c. 1673) of Settsu Province
- Inoue Shinkai (fl. c. 1672) of Settsu Province
- Sukenaga (1795-1860) at Osafune
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The Shin Shinto Period (New-New Sword) 1781-1876
This period terminates at the
restoration of the emperor Mutsuhito in 1868 and in 1876 wearing
the sword was prohibited by law. The demands for swords dropped
rapidly and many smiths started forging knifes and forks.
The Gendaito Period (Modern Sword)
1876-1945
This period is sometimes reffered to as the Rokuden (Sixth Tradition).
Modern blade dating should be by nengo, i.e. Meiji,
Taisho and Showa.
During the Gendaito period, not all swords were made by the orthodox methods of hand
forging-shaping and the water-quench tempering process. Two types of Japanese swords made
in this period are not propely classified as Nihon-to:
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- The Murata-to
- The Showa-to
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The Murata-to type of weapon owes its name to that of its
developer, who manufactured
blades in response to the demand that occured just prior to and during the Russo-Japanese
War. Machine-made but nevertheless of good quality, the Murata-to can be recognized by the
high degree of metallic sheen in its blade.
The Showa-to is also a
machine-made weapon, but it is vastly inferior to the Murata-to because of its generally
poor-quality steel. The Showa-to can easily be identified by the presence of a serial
number and a cherry-blossom design engraved on his tang. The Showa-to was used in
great
numbers by japanese army officiers during the Japan's era of imperial expansion in Asia
and the Pacific (1926-1945).
Both the Murata-to and the Showa-to are one-piece blades and are usually
oil-tempered.
The Shinsakuto Period (Newly Made Sword) 1953-present
Contemporary blades made after 1953 when the
post-war blade manufacture prohibition was rescinded. They have
an emphasis on 'art' rather than 'use'.
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To know more about this
subject, please consult the excellent book:
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Japanese Swordmanship- Technique and practice
by Gordon Warner and Donn F. Graeger
Weatherhill, New-York & Tokyo, 1982.
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